sovereignty, and treading on the chest of a figure who lies on his back before him. According to legend, the figure represents Gaumata, the Median Magus and pretender to the throne whose assassination led to Darius’s rise to power. Below and around the bas-reliefs, there are ca. 1,200 lines of inscriptions telling the story of the battles Darius waged in 521-520 BC against the governors who attempted to take apart the Empire founded by Cyrus. The inscription is written in three languages. The oldest is an Elamite text referring to legends describing the king and the rebellions. This is followed by a Babylonian version of similar legends. The last phase of the inscription is particularly important, as it is here that Darius introduced for the first time the Old Persian version of his res gestae (things done). This is the only known monumental text of the Achaemenids to document the re-establishment of the Empire by Darius I. It also bears witness to the interchange of influences in the development of monumental art and writing in the region of the Persian Empire. There are also remains from the Median period (8th to 7th centuries B.C.) as well as from the Achaemenid (6th to 4th centuries B.C.) and post-Achaemenid periods.

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• Behistun Inscription picture Behistun Inscription picture
• Bisutun relief in Kermanshah Bisutun relief in Kermanshah
• picture from bisotoon site picture from bisotoon site
• picture of Behistun from the right side picture of Behistun from the right side
• image of bistun in kermanshah image of bistun in kermanshah
• behistun inscription with its scaffolds behistun inscription with its scaffolds
• Bisotun Inscription Bisotun Inscription
• multi-lingual inscription of Bisotun multi-lingual inscription of Bisotun
• behistun in the closest distance behistun in the closest distance
• Darius the great in Behistun inscription Darius the great in Behistun inscription
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The text is copied from UNSECO website.